Price | RM0.00 |
Product SKU | MGP32X |
Brand | Yamaha |
Availability | In Stock |
Quantity |
|
- 24 Mic Inputs with 48V Phantom Power and HPF per Channel
- 32 Line Inputs (24 mono and 4 stereo)
- 6 AUX Sends + 2 FX Sends
- 4 GROUP Buses + ST Bus
- 2 Matrix out
- 1 Mono out
MGP32X
The Evolution of Analog
When it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.
D-PRE
The preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.
X-pressive EQ
Everyone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.
Hybrid Channel
40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.
SPECIFICATION
MGP32X | MGP16X | ||
---|---|---|---|
Mixing capability | Mixing channels | 32 Line Inputs (24 mono and 4 stereo) | 16 Line Inputs (8 mono and 4 stereo) |
GROUP | 4 GROUP Buses + ST Bus | 4 GROUP Buses + ST Bus | |
AUX | 6 AUX Sends + 2 FX Sends | 2 AUX Sends + 2 FX Sends | |
MATRIX | 1 Matrix out | - | |
On-board processors | FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) | FX1:REV-X(8 PROGRAM, PARAMETER control), FX2:SPX (16 PROGRAM, PARAMETER control) | |
Input channel functions | - | Compressor CH1-8,HPF(100Hz 12dB/oct), CH EQ(MONO) ±15dB(Max.):High 8kHz shelving/ Mid 250Hz-5kHz peaking(CH1-8,13-16)/ Low 125Hz shelving, CH EQ(STEREO) ±15dB(Max.):High 8kHz shelving/ Mid 2.5kHz peaking(CH9-12)/ Low 125Hz shelving | |
I/O | Mic inputs | MIC: 24 (INPUTS HPF: 100Hz 12dB/oct) | MIC: 10 |
Phantom power | 48V phantom power per channel | 48V phantom power per channel | |
Line inputs | LINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereo | LINE: 8mono+4stereo, CH INSERT: 8, RETURN: 1stereo, 2TR IN: 1 stereo | |
Digital I/O | USB Device, iPod / iPhone | USB Audio USB IN: iPod, iPhone exclusive | |
Total harmonic distortion | 0.02% (20Hz-20kHz@ +14dBu) | 0.02% (20Hz-20kHz@ +14dBu) | |
Frequency response | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz | |
Hum & noise level | Equivalent input noise | -128 dBu Equivalent Input Noise | -128 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) |
Residual output noise | -92 dBu Residual Output Noise | -102 dBu (20Hz–20 kHz, Rs=150Ω, Input Gain = Maximum) | |
Crosstalk | -74dB @ 1kHz | -74dB @ 1kHz | |
Power requirements | 100-240V 50Hz/60Hz | 100-240V 50Hz/60Hz | |
Power consumption | 86W max | 55W max | |
Dimensions | W | 1,027mm (40.4") | 447mm |
H | 169mm (6.7") | 143mm | |
D | 565mm (22.2") | 495mm | |
Net weight | 19kg (41.9lb) | 9.0kg |